From Bertolt Brecht to Nano Riantiarno: Corruption in The Threepenny Opera and Opera Ikan Asin

نویسندگان

چکیده

This article examines corruption in two plays: Bertolt Brecht’s The Threepenny Opera (Die Dreigroschenoper) and Nano Riantiarno’s Ikan Asin (The Salted-Fish Opera). Discussed herein are collusion bribery how depictions of these problems were received by Riantiarno Asin. Using this perspective, horizon expectation as he read about actualized it can be revealed. study shows the transformations implemented IkanAsin, finding that is more explicit transparent than Opera. Meanwhile, practice expanded from one perpetrator to four perpetrators means used for also developed; played a major role development his own play. Brecht wrote play critique capitalism Germany’s Weimar Republic while provided with new context criticism New Order Indonesia. rampant blatant during became reason being made Even though types same, there novelty highlighted drama. In presenting drama whole, Epic Theater style, which has been combined traditional theater style. stands on its despite affinities

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ژورنال

عنوان ژورنال: Kritika Kultura

سال: 2021

ISSN: ['2094-6937', '1656-152X']

DOI: https://doi.org/10.13185/kk2021.03606